The post Kendrick Lamar & SZA Get Romantic in Music Video for “Luther” appeared first on Hot Pop Today.
]]>The Karena Evans-directed visual takes us to an empty hotel, where Lamar and SZA can be seen spending some quality time with their love interests. The Nigerian-American artist Annahstasia Enuke plays Lamar’s significant other, while model Geron McKinley portrays SZA’s boyfriend.
“Luther” was featured on Lamar’s sixth studio album GNX, and it initially debuted at No. 3 on the Billboard Hot 100. It experienced a rise in popularity after SZA joined Lamar to perform it live during his Super Bowl LIX halftime show performance. It eventually hit No. 1 and spent seven consecutive weeks atop the Billboard Hot 100 chart, as of last week.
Lamar’s collaboration with SZA spans a full decade, and they’re gearing up to embark on a Grand National Tour by each other’s side. They’re set to perform 39 shows across North America and Europe, starting with a concert at the U.S. Bank Stadium in Minneapolis on April 19, while the tour will conclude with the final show at the 3Arena in Stockholm, Sweden on August 9.
The post Kendrick Lamar & SZA Get Romantic in Music Video for “Luther” appeared first on Hot Pop Today.
]]>The post Kendrick Lamar Delivers Triumphant Halftime Show at Super Bowl LIX appeared first on Hot Pop Today.
]]>Lamar didn’t rely on his biggest hits to make an impact with his Super Bowl performance and opted for a setlist that highlights his recent catalog. Some of the songs were taken from his deeper catalog, but most of them were released just last year, including “Squabble Up” and “TV Off” from his most recent album GNX.
Lamar also used his Super Bowl performance to take shots at Drake, cementing his triumph in their ongoing feud. The viral diss track “Not Like Us” was the highlight of his halftime show, and he brought out Serena Williams for a crip walk while the entire stadium sang along.
Williams wasn’t the only surprise guest to make an appearance alongside Lamar. SZA joined him for an epic rendition of “Luther” and “All the Stars”, while the beloved actor Samuel L. Jackson made a cameo as Uncle Sam. Lamar signed off with “TV Off” alongside Mustard, taking a swaggering victory lap while the lights at the top of the stadium spelled out the words “Game Over.”
The post Kendrick Lamar Delivers Triumphant Halftime Show at Super Bowl LIX appeared first on Hot Pop Today.
]]>The post 2025 Grammy Awards: Kendrick Lamar & Beyoncé Take Top Prizes Home appeared first on Hot Pop Today.
]]>Beyoncé’s wait for the album of the year victory finally ended this Sunday night, when she came out victorious with her country-themed record Cowboy Carter. This album also won her a historic prize for the best country album, transforming her into the first Black female artist to collect this award.
Kendrick Lamar also had a reason to celebrate on Sunday night, after winning awards in all the categories he was nominated for and walking away with five trophies. He won song and record of the year with the viral hit “Not Like Us”, in addition to the best music video, best rap song, and best rap performance.
Charli XCX joined Beyoncé as one of the artists to walk away with three awards, including the best dance/electronic album for Brat. Sierra Ferrell was also among the top winners after dominating the Americana field with four awards, while St. Vincent won three in the alternative categories.
The 2025 Grammy Awards returned to Crypto.com Arena in Los Angeles on February 2, with Trevor Noah hosting the festivities for the fifth consecutive time.
Album of the Year
Cowboy Carter – Beyoncé
Beyoncé, Terius “The-Dream” Gesteelde-Diamant & Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri & Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius “The-Dream” Gesteelde-Diamant, Dave Hamelin, S. Carter & Raphael Saadiq, songwriters; Colin Leonard, mastering engineer
Song of the Year
“Not Like Us” — Kendrick Lamar, songwriter (Kendrick Lamar)
Record of the Year
“Not Like Us” – Kendrick Lamar
Sean Momberger, Mustard & Sounwave, producers; Ray Charles Brown Jr. & Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer
Best New Artist
Chappell Roan
Best Pop Duo/Group Performance
“Die with a Smile” — Lady Gaga & Bruno Mars
Best Latin Pop Album
Las Mujeres Ya No Lloran — Shakira
Best Country Album
Cowboy Carter — Beyoncé
Best Pop Vocal Album
Short n’ Sweet — Sabrina Carpenter
Best Rap Album
Alligator Bites Never Heal — Doechii
Best Contemporary Classical Composition
Ortiz: Revolución Diamantina — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale)
Best Classical Compendium
Ortiz: Revolución Diamantina — Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Best Arrangement, Instruments and Vocals
“Alma” — Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje Featuring Regina Carter)
Best Arrangement, Instrumental or A Cappella
“Bridge Over Troubled Water” — Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier Featuring John Legend & Tori Kelly)
Best Musical Theater Album
Hell’s Kitchen — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis & Meleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys & Tom Kitt, producers (Alicia Keys, composer & lyricist) (Original Broadway Cast)
Best Spoken Word Poetry Album
The Heart, The Mind, The Soul — Tank and The Bangas
Best Classical Solo Vocal Album
Beyond The Years – Unpublished Songs Of Florence Price — Karen Slack, soloist; Michelle Cann, pianist
Best Classical Instrumental Solo
“Bach: Goldberg Variations” — Víkingur Ólafsson
Best Chamber Music/Small Ensemble Performance
“Rectangles and Circumstance” — Caroline Shaw & Sō Percussion
Best Choral Performance
“Ochre” — Donald Nally, conductor (The Crossing)
Best Opera Recording
“Saariaho: Adriana Mater” — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan & Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)
Best Orchestral Performance
|“Ortiz: Revolución Diamantina” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Best Instrumental Composition
“Strands” — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)
Best Immersive Audio Album
i/o (In-Side Mix) — Hans-Martin Buff, immersive mix engineer; Brian Eno, Peter Gabriel & Richard Russell, immersive producers (Peter Gabriel)
Producer of the Year, Classical (A Producer’s Award. Artist names appear in parentheses. S stands for Single, T for Track and A for Album)
Elaine Martone
Bartók: String Quartet No.3; Suite From ‘The Miraculous Mandarin’ (Franz Welser-Möst & The Cleveland Orchestra) (A)
The Book Of Spells (Merian Ensemble) (A)
Bruckner: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Divine Mischief (Julian Bliss, J. Eric Wilson & Baylor University Wind Ensemble) (A)
Joy! (John Morris Russell & Cincinnati Pops) (A)
Prokofiev: Symphony No. 6 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Schubert: The Complete Impromptus (Gerardo Teissonnière) (A)
Stranger At Home (Shachar Israel) (A)
Tchaikovsky: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Best Engineered Album, Classical
Bruckner: Symphony No. 7; Bates: Resurrexit — Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Best New Age, Ambient, or Chant Album
Triveni — Wouter Kellerman, Éru Matsumoto & Chandrika Tandon
Best Reggae Album
Bob Marley: One Love – Music Inspired By The Film (Deluxe) — (Various Artists)
Best Global Music Album
Alkebulan II — Matt B Featuring Royal Philharmonic Orchestra
Best African Music Performance
“Love Me JeJe” — Tems
Best Global Music Performance
“Bemba Colorá” — Sheila E. Featuring Gloria Estefan & Mimy Succar
Best Contemporary Instrumental Album
Plot Armor — Taylor Eigsti
Best Alternative Jazz Album
No More Water: The Gospel Of James Baldwin — Meshell Ndegeocello
Best Latin Jazz Album
Cubop Lives! — Zaccai Curtis
Best Large Jazz Ensemble Album
Bianca Reimagined: Music for Paws and Persistence — Dan Pugach Big Band
Best Jazz Instrumental Album
Remembrance — Chick Corea & Béla Fleck
Best Jazz Vocal Album
A Joyful Holiday — Samara Joy
Best Jazz Performance
“Twinkle Twinkle Little Me” — Samara Joy Featuring Sullivan Fortner
Best Engineered Album, Non-Classical
i/o — Tchad Blake, Oli Jacobs, Katie May & Dom Shaw, engineers; Matt Colton, mastering engineer (Peter Gabriel)
Best Song Written For Visual Media
It Never Went Away [From “American Symphony”] — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
Best Score Soundtrack for Video Games and Other Interactive Media
Wizardry: Proving Grounds of the Mad Overlord — Winifred Phillips, composer
Best Score Soundtrack For Visual Media (Includes Film And Television)
Dune: Part Two — Hans Zimmer, composer
Best Compilation Soundtrack For Visual Media
Maestro: Music By Leonard Bernstein — London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
Best Alternative Music Album
All Born Screaming — St. Vincent
Best Alternative Music Performance
“Flea” — St. Vincent
Best Rock Album
Hackney Diamonds — The Rolling Stones
Best Rock Song
“Broken Man” — Annie Clark, songwriter (St. Vincent)
Best Metal Performance
“Mea Culpa (Ah! Ça ira!)” — Gojira, Marina Viotti & Victor Le Masne
Best Rock Performance
“Now and Then” — The Beatles
Producer of the Year, Non-Classical (A Producer’s Award. Artist names appear in parentheses. S stands for Single, T for Track and A for Album)
Daniel Nigro
“Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds & Snakes)” (Olivia Rodrigo) (S)
Chappell Roan The Rise and Fall Of A Midwest Princess (Chappell Roan) (A)
“girl i’ve always been” (Olivia Rodrigo) (T)
“Good Luck, Babe!” (Chappell Roan) (S)
“so american” (Olivia Rodrigo) (T)
“stranger” (Olivia Rodrigo) (T)
Best Historical Album
Centennial — Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver’s Creole Jazz Band And Various Artists)
Best Album Notes
Centennial — Ricky Riccardi, album notes writer (King Oliver’s Creole Jazz Band & Various Artists)
Best Boxed Or Special Limited Edition Package
Mind Games — Simon Hilton & Sean Ono Lennon, art directors (John Lennon)
Best Recording Package
Brat — Brent David Freaney & Imogene Strauss, art directors (Charli xcx)
Best Audio Book, Narration, and Storytelling Recording
Last Sundays in Plains: A Centennial Celebration — Jimmy Carter
Best Comedy Album
The Dreamer — Dave Chappelle
Best Children’s Music Album
Brillo, Brillo! — Lucky Diaz And The Family Jam Band
Best Traditional Pop Vocal Album
Visions — Norah Jones
Best Music Film
“American Symphony” — Jon Batiste
Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers
Best Music Video
“Not Like Us” — Kendrick Lamar
Dave Free & Kendrick Lamar, video directors; Jack Begert, Sam Canter & Jamie Rabineau, video producers
Best Rap Song
“Not Like Us” — Kendrick Lamar, songwriter (Kendrick Lamar)
Best Melodic Rap Performance
“3” — Rapsody Featuring Erykah Badu
Best Rap Performance
“Not Like Us” — Kendrick Lamar
Best R&B Album
11:11 (Deluxe) — Chris Brown
Best Progressive R&B Album (tie)
So Glad to Know You — Avery*Sunshine
Why Lawd? — NxWorries (Anderson .Paak & Knxwledge)
Best R&B Song
“Saturn” — Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA)
Best Traditional R&B Performance
“That’s You” — Lucky Daye
Best R&B Performance
“Made For Me (Live On BET)” — Muni Long
Songwriter of the Year, Non-Classical
A Songwriter’s Award. (Artists’ names appear in parentheses.) (S) stands for Single, (T) stands for Track
Amy Allen
“Chrome Cowgirl” (Leon Bridges) (S)
“Espresso” (Sabrina Carpenter) (S)
“High Road” (Koe Wetzel & Jessie Murph) (S)
“Please Please Please” (Sabrina Carpenter) (S)
“run for the hills” (Tate McRae) (S)
“scared of my guitar” (Olivia Rodrigo) (T)
“Selfish” (Justin Timberlake) (S)
“Sweet Dreams” (Koe Wetzel) (S)
“Taste” (Sabrina Carpenter) (S)
Best Tropical Latin Album
Alma, Corazón y Salsa (Live at Gran Teatro Nacional) — Tony Succar, Mimy Succar
Best Música Mexicana Album (Including Tejano)
Boca Chueca, Vol. 1 — Carín León
Best Latin Rock or Alternative Album
¿Quién trae las cornetas? — Rawayana
Best Música Urbana Album
Las Letras Ya No Importan — Residente
Best Contemporary Blues Album
Mileage — Ruthie Foster
Best Traditional Blues Album
Swingin’ Live at The Church in Tulsa — The Taj Mahal Sextet
Best American Roots Performance
“Lighthouse” — Sierra Ferrell
Best Country Song
“The Architect” — Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
Best Country Duo/Group Performance
“II Most Wanted” — Beyoncé Featuring Miley Cyrus
Best Country Solo Performance
“It Takes A Woman” — Chris Stapleton
Best Roots Gospel Album
Church — Cory Henry
Best Contemporary Christian Music Album
Heart Of A Human — DOE
Best Gospel Album
More Than This — CeCe Winans
Best Contemporary Christian Music Performance/Song
“That’s My King” — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks & Jess Russ, songwriters
Best Gospel Performance/Song
“One Hallelujah” — Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Naomi Raine, songwriters
Best Regional Roots Music Album
Kuini — Kalani Pe’a
Best Folk Album
Woodland — Gillian Welch & David Rawlings
Best Bluegrass Album
Live Vol. 1 — Billy Strings
Best Americana Album
Trail Of Flowers — Sierra Ferrell
Best American Roots Song
“American Dreaming” — Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
Best Americana Performance
“American Dreaming” — Sierra Ferrell
Best Remix Recording
“Espresso (Mark Ronson x FNZ Working Late Remix)” — FNZ & Mark Ronson, remixers (Sabrina Carpenter)
Best Dance Pop Recording
“Von dutch” — Charli xcx
Best Pop Solo Performance
“Espresso” – Sabrina Carpenter
Best Dance/Electronic Album
BRAT — Charli xcx
Best Dance/Electronic Recording
“Neverender” — Justice & Tame Impala
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]]>The post 5 Amazing Albums That 2024 Will Be Remembered By appeared first on Hot Pop Today.
]]>After trying to break into the mainstream for a decade, Sabrina Carpenter finally got her moment to shine in 2024. Short n’ Sweet put her on everyone’s radar, and its singles “Espresso”, “Please Please Please”, and “Taste” were among the biggest hits of 2024.
Kendrick Lamar’s “Not Like Us” was one of the defining songs of 2024, and he kept the moment going by dropping a surprise album GNX. It featured 12 brand-new tracks, including chart-topping single “Squabble Up” and collaborations with SZA and Roddy Ricch.
Hit Me Hard and Soft didn’t create as much commotion as its predecessors, but it did a great job capturing Billie Eilish’s evolution as an artist, in addition to giving us hit singles “Lunch” and “Birds of a Feather”.
Charli XCX has given us one of the biggest pop culture phenomenons of 2024 with her album Brat. It resulted in the viral “Brat summer” trend, in addition to producing such hit songs as “Apple”, “Girl, So Confusing” ft. Lorde”, “Von Dutch”, and “360”.
Beyoncé made us fall in love with country with her latest album Cowboy Carter. The perfect illustration of her versatility as an artist, this record has given us the viral hit “Texas Hold ‘Em” and collaborations with Dolly Parton, Miley Cyrus, and Post Malone.
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]]>The post Best New Songs of the Week appeared first on Hot Pop Today.
]]>SZA has been teasing the deluxe version of SOS titled Lana for quite some time, and its rollout has been one wild ride. She kept pushing its release date time and time again, and eventually dropped it on December 20, giving us 15 new tracks that were worth the wait, including “30 For 30” ft. Kendrick Lamar.
This week also marked the official release of Miley Cyrus’ “Beautiful That Way” from Gia Coppola’s film The Last Showgirl. She recently received a Golden Globe nomination for writing this song alongside Andrew Wyatt and Lykke Li.
The rest of our week features several established artists, such as J. Cole, Winona Oak, and The Wombats, but it mostly spotlights independent and alternative music. Stick around to discover new songs by the likes of The Weather Station, d4vd, Nao, Tom Misch, and Anya Nami.
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]]>The post Kendrick Lamar Dominates Billboard 200 & Hot 100 Charts With “GNX” appeared first on Hot Pop Today.
]]>GNX soared to the top with 319,000 first-week equivalent album units during its debut week. SEA units comprise 285,000 (equaling 379.72 million on-demand official streams), album sales comprise 32,000 since it was only widely available through standard digital download, while TEA units comprise 2,000.
GNX is Lamar’s fifth album to soar to the top of the Billboard 200, following in the footsteps of Mr. Morale & the Big Steppers (2022), DAMN. (2017), Untitled Unmastered (2016) and To Pimp a Butterfly (2015).
Songs from this record occupy the majority of the Billboard 100 chart this week, including the top five. He joins an exclusive club of only three artists who manage to place at No. 1-5 in a single week – Taylor Swift, Drake, and The Beatles.
“Squabble Up” is shaping up to be the album’s biggest hit after debuting at No. 1, ahead of “TV Off” ft. Lefty Gunplay, “Luther” ft. SZA, “Wacced Out Murals”, and “Hey Now” ft. Dody6. This is Lamar’s third No. 1 hit in 2024 after “Like That” ft. Future and Metro Boomin and “Not Like Us”, making him the only artist to achieve three No. 1 songs this year.
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]]>The post Best New Songs of the Week appeared first on Hot Pop Today.
]]>2024 has been a pretty epic year for Kendrick Lamar, and just when we thought we’d seen it all – he found a way to impress us again. The rapper’s surprise album GNX hit the shelves this Friday with no prior notice and delivered 12 epic new tracks, with “Luther” emerging as an early favorite.
Most other albums released this Friday were largely overshadowed by Lamar’s latest, but a few still managed to catch our eye. Father John Misty impressed us with “Mental Health” from Mahashmashana, while Michael Kiwanuka deserves a shout-out for “One and Only” from Small Changes.
This week has also been pretty great for Tyla, who’s been on fire this fall. After stirring the commotion with her recent music video for “Push 2 Start”, she surprised us with her new ballad “Tears”, which she performed during the most recent Coke Studio Session.
Check out the rest of our list of the best new songs of the week to discover new music by Wizkid, Omar Apollo, Coi Leray, Three Days Grace, and JoJo.
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]]>The post 2025 Super Bowl Halftime Show: Kendrick Lamar Announced as Headliner appeared first on Hot Pop Today.
]]>Lamar previously performed at the Super Bowl in 2022 alongside the rap legends Dr. Dre, Mary J. Blige, Snoop Dogg, and Eminem, and he promised his headlining show would be another celebration of hip-hop. “Rap music is still the most impactful genre to date. And I’ll be there to remind the world why. They got the right one,” said Lamar in a statement.
Jay-Z, who’s producing the Super Bowl halftime show through Roc Nation, described Lamar as a once-in-a-generation artist and performer, with an unparalleled ability to define and influence culture globally, whose deep love for hip-hop and culture informs his artistic vision.
NFL’s announcement is the cherry on the cake of an amazing year for Lamar, who has given us several hit songs since the start of 2024. He kicked things off with Future and Metro Boomin collaboration “Like That”, which reached No. 1 on the Billboard Hot 100 chart, only to find even bigger success with the Drake diss track “Not Like Us”.
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]]>The post Kendrick Lamar Stirs Commotion With His “Not Like Us” Video appeared first on Hot Pop Today.
]]>Directed by Dave Free and Lamar, the “Not Like Us” visual is filled with countless Easter eggs referencing the feud between the two rappers. From doing push-ups as a reference to Drake’s song of the same name to hitting a piñata reminiscent of Drake’s OVO Owl, Lamar made sure to take a hit at Drake every chance he got.
The music video “Not Like Us” stirred quite a commotion after hitting the shelves on Independence Day, and attracted millions of views on YouTube. Even before this video hit the shelves, “Not Like Us” was already the most successful song to come out of the Lamar-Drake feud, and it set several streaming records before debuting atop the Billboard Hot 100.
Its popularity just kept rising after Lamar first released it in early May. His performance at the Juneteenth concert in Inglewood, California titled “Pop Out: Ken & Friends” brought even more attention to this song after Lamar performed it six times alongside several notable guest stars.
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]]>The post Kendrick Lamar Tops Billboard Hot 100 Chart With Diss Track “Not Like Us” appeared first on Hot Pop Today.
]]>The heated feud between Lamar and Drake erupted in recent weeks, and it can be traced to Lamar’s surprise appearance on Future and Metro Boomin’s single “Like That”. This song spent three weeks at No. 1, but it’s no longer Lamar’s only diss track to top the charts this year.
The back and forth between the two rappers produced several songs, and “Not Like Us” is shaping up to be the biggest hit. It drew 70.9 million official streams, 5 million radio airplay audience impressions, and 15,000 sold during its debut week to hit No. 1 on the Billboard Hot 100 chart. This doesn’t come as a huge surprise since this track made Spotify history by attracting more single-day streams than any rap song in the platform’s history.
“Not Like Us” isn’t the only song in the top ten that we owe to Lamar’s feud with Drake. He also soared from No. 11 to No. 3 with “Euphoria”, while Drake’s “Family Matters” debuted at No. 7.
The post Kendrick Lamar Tops Billboard Hot 100 Chart With Diss Track “Not Like Us” appeared first on Hot Pop Today.
]]>The post Kendrick Lamar & SZA Get Romantic in Music Video for “Luther” appeared first on Hot Pop Today.
]]>The Karena Evans-directed visual takes us to an empty hotel, where Lamar and SZA can be seen spending some quality time with their love interests. The Nigerian-American artist Annahstasia Enuke plays Lamar’s significant other, while model Geron McKinley portrays SZA’s boyfriend.
“Luther” was featured on Lamar’s sixth studio album GNX, and it initially debuted at No. 3 on the Billboard Hot 100. It experienced a rise in popularity after SZA joined Lamar to perform it live during his Super Bowl LIX halftime show performance. It eventually hit No. 1 and spent seven consecutive weeks atop the Billboard Hot 100 chart, as of last week.
Lamar’s collaboration with SZA spans a full decade, and they’re gearing up to embark on a Grand National Tour by each other’s side. They’re set to perform 39 shows across North America and Europe, starting with a concert at the U.S. Bank Stadium in Minneapolis on April 19, while the tour will conclude with the final show at the 3Arena in Stockholm, Sweden on August 9.
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]]>The post Kendrick Lamar Delivers Triumphant Halftime Show at Super Bowl LIX appeared first on Hot Pop Today.
]]>Lamar didn’t rely on his biggest hits to make an impact with his Super Bowl performance and opted for a setlist that highlights his recent catalog. Some of the songs were taken from his deeper catalog, but most of them were released just last year, including “Squabble Up” and “TV Off” from his most recent album GNX.
Lamar also used his Super Bowl performance to take shots at Drake, cementing his triumph in their ongoing feud. The viral diss track “Not Like Us” was the highlight of his halftime show, and he brought out Serena Williams for a crip walk while the entire stadium sang along.
Williams wasn’t the only surprise guest to make an appearance alongside Lamar. SZA joined him for an epic rendition of “Luther” and “All the Stars”, while the beloved actor Samuel L. Jackson made a cameo as Uncle Sam. Lamar signed off with “TV Off” alongside Mustard, taking a swaggering victory lap while the lights at the top of the stadium spelled out the words “Game Over.”
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]]>The post 2025 Grammy Awards: Kendrick Lamar & Beyoncé Take Top Prizes Home appeared first on Hot Pop Today.
]]>Beyoncé’s wait for the album of the year victory finally ended this Sunday night, when she came out victorious with her country-themed record Cowboy Carter. This album also won her a historic prize for the best country album, transforming her into the first Black female artist to collect this award.
Kendrick Lamar also had a reason to celebrate on Sunday night, after winning awards in all the categories he was nominated for and walking away with five trophies. He won song and record of the year with the viral hit “Not Like Us”, in addition to the best music video, best rap song, and best rap performance.
Charli XCX joined Beyoncé as one of the artists to walk away with three awards, including the best dance/electronic album for Brat. Sierra Ferrell was also among the top winners after dominating the Americana field with four awards, while St. Vincent won three in the alternative categories.
The 2025 Grammy Awards returned to Crypto.com Arena in Los Angeles on February 2, with Trevor Noah hosting the festivities for the fifth consecutive time.
Album of the Year
Cowboy Carter – Beyoncé
Beyoncé, Terius “The-Dream” Gesteelde-Diamant & Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri & Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius “The-Dream” Gesteelde-Diamant, Dave Hamelin, S. Carter & Raphael Saadiq, songwriters; Colin Leonard, mastering engineer
Song of the Year
“Not Like Us” — Kendrick Lamar, songwriter (Kendrick Lamar)
Record of the Year
“Not Like Us” – Kendrick Lamar
Sean Momberger, Mustard & Sounwave, producers; Ray Charles Brown Jr. & Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer
Best New Artist
Chappell Roan
Best Pop Duo/Group Performance
“Die with a Smile” — Lady Gaga & Bruno Mars
Best Latin Pop Album
Las Mujeres Ya No Lloran — Shakira
Best Country Album
Cowboy Carter — Beyoncé
Best Pop Vocal Album
Short n’ Sweet — Sabrina Carpenter
Best Rap Album
Alligator Bites Never Heal — Doechii
Best Contemporary Classical Composition
Ortiz: Revolución Diamantina — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale)
Best Classical Compendium
Ortiz: Revolución Diamantina — Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Best Arrangement, Instruments and Vocals
“Alma” — Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje Featuring Regina Carter)
Best Arrangement, Instrumental or A Cappella
“Bridge Over Troubled Water” — Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier Featuring John Legend & Tori Kelly)
Best Musical Theater Album
Hell’s Kitchen — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis & Meleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys & Tom Kitt, producers (Alicia Keys, composer & lyricist) (Original Broadway Cast)
Best Spoken Word Poetry Album
The Heart, The Mind, The Soul — Tank and The Bangas
Best Classical Solo Vocal Album
Beyond The Years – Unpublished Songs Of Florence Price — Karen Slack, soloist; Michelle Cann, pianist
Best Classical Instrumental Solo
“Bach: Goldberg Variations” — Víkingur Ólafsson
Best Chamber Music/Small Ensemble Performance
“Rectangles and Circumstance” — Caroline Shaw & Sō Percussion
Best Choral Performance
“Ochre” — Donald Nally, conductor (The Crossing)
Best Opera Recording
“Saariaho: Adriana Mater” — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan & Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)
Best Orchestral Performance
|“Ortiz: Revolución Diamantina” — Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Best Instrumental Composition
“Strands” — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)
Best Immersive Audio Album
i/o (In-Side Mix) — Hans-Martin Buff, immersive mix engineer; Brian Eno, Peter Gabriel & Richard Russell, immersive producers (Peter Gabriel)
Producer of the Year, Classical (A Producer’s Award. Artist names appear in parentheses. S stands for Single, T for Track and A for Album)
Elaine Martone
Bartók: String Quartet No.3; Suite From ‘The Miraculous Mandarin’ (Franz Welser-Möst & The Cleveland Orchestra) (A)
The Book Of Spells (Merian Ensemble) (A)
Bruckner: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Divine Mischief (Julian Bliss, J. Eric Wilson & Baylor University Wind Ensemble) (A)
Joy! (John Morris Russell & Cincinnati Pops) (A)
Prokofiev: Symphony No. 6 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Schubert: The Complete Impromptus (Gerardo Teissonnière) (A)
Stranger At Home (Shachar Israel) (A)
Tchaikovsky: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Best Engineered Album, Classical
Bruckner: Symphony No. 7; Bates: Resurrexit — Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Best New Age, Ambient, or Chant Album
Triveni — Wouter Kellerman, Éru Matsumoto & Chandrika Tandon
Best Reggae Album
Bob Marley: One Love – Music Inspired By The Film (Deluxe) — (Various Artists)
Best Global Music Album
Alkebulan II — Matt B Featuring Royal Philharmonic Orchestra
Best African Music Performance
“Love Me JeJe” — Tems
Best Global Music Performance
“Bemba Colorá” — Sheila E. Featuring Gloria Estefan & Mimy Succar
Best Contemporary Instrumental Album
Plot Armor — Taylor Eigsti
Best Alternative Jazz Album
No More Water: The Gospel Of James Baldwin — Meshell Ndegeocello
Best Latin Jazz Album
Cubop Lives! — Zaccai Curtis
Best Large Jazz Ensemble Album
Bianca Reimagined: Music for Paws and Persistence — Dan Pugach Big Band
Best Jazz Instrumental Album
Remembrance — Chick Corea & Béla Fleck
Best Jazz Vocal Album
A Joyful Holiday — Samara Joy
Best Jazz Performance
“Twinkle Twinkle Little Me” — Samara Joy Featuring Sullivan Fortner
Best Engineered Album, Non-Classical
i/o — Tchad Blake, Oli Jacobs, Katie May & Dom Shaw, engineers; Matt Colton, mastering engineer (Peter Gabriel)
Best Song Written For Visual Media
It Never Went Away [From “American Symphony”] — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
Best Score Soundtrack for Video Games and Other Interactive Media
Wizardry: Proving Grounds of the Mad Overlord — Winifred Phillips, composer
Best Score Soundtrack For Visual Media (Includes Film And Television)
Dune: Part Two — Hans Zimmer, composer
Best Compilation Soundtrack For Visual Media
Maestro: Music By Leonard Bernstein — London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
Best Alternative Music Album
All Born Screaming — St. Vincent
Best Alternative Music Performance
“Flea” — St. Vincent
Best Rock Album
Hackney Diamonds — The Rolling Stones
Best Rock Song
“Broken Man” — Annie Clark, songwriter (St. Vincent)
Best Metal Performance
“Mea Culpa (Ah! Ça ira!)” — Gojira, Marina Viotti & Victor Le Masne
Best Rock Performance
“Now and Then” — The Beatles
Producer of the Year, Non-Classical (A Producer’s Award. Artist names appear in parentheses. S stands for Single, T for Track and A for Album)
Daniel Nigro
“Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds & Snakes)” (Olivia Rodrigo) (S)
Chappell Roan The Rise and Fall Of A Midwest Princess (Chappell Roan) (A)
“girl i’ve always been” (Olivia Rodrigo) (T)
“Good Luck, Babe!” (Chappell Roan) (S)
“so american” (Olivia Rodrigo) (T)
“stranger” (Olivia Rodrigo) (T)
Best Historical Album
Centennial — Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver’s Creole Jazz Band And Various Artists)
Best Album Notes
Centennial — Ricky Riccardi, album notes writer (King Oliver’s Creole Jazz Band & Various Artists)
Best Boxed Or Special Limited Edition Package
Mind Games — Simon Hilton & Sean Ono Lennon, art directors (John Lennon)
Best Recording Package
Brat — Brent David Freaney & Imogene Strauss, art directors (Charli xcx)
Best Audio Book, Narration, and Storytelling Recording
Last Sundays in Plains: A Centennial Celebration — Jimmy Carter
Best Comedy Album
The Dreamer — Dave Chappelle
Best Children’s Music Album
Brillo, Brillo! — Lucky Diaz And The Family Jam Band
Best Traditional Pop Vocal Album
Visions — Norah Jones
Best Music Film
“American Symphony” — Jon Batiste
Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers
Best Music Video
“Not Like Us” — Kendrick Lamar
Dave Free & Kendrick Lamar, video directors; Jack Begert, Sam Canter & Jamie Rabineau, video producers
Best Rap Song
“Not Like Us” — Kendrick Lamar, songwriter (Kendrick Lamar)
Best Melodic Rap Performance
“3” — Rapsody Featuring Erykah Badu
Best Rap Performance
“Not Like Us” — Kendrick Lamar
Best R&B Album
11:11 (Deluxe) — Chris Brown
Best Progressive R&B Album (tie)
So Glad to Know You — Avery*Sunshine
Why Lawd? — NxWorries (Anderson .Paak & Knxwledge)
Best R&B Song
“Saturn” — Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA)
Best Traditional R&B Performance
“That’s You” — Lucky Daye
Best R&B Performance
“Made For Me (Live On BET)” — Muni Long
Songwriter of the Year, Non-Classical
A Songwriter’s Award. (Artists’ names appear in parentheses.) (S) stands for Single, (T) stands for Track
Amy Allen
“Chrome Cowgirl” (Leon Bridges) (S)
“Espresso” (Sabrina Carpenter) (S)
“High Road” (Koe Wetzel & Jessie Murph) (S)
“Please Please Please” (Sabrina Carpenter) (S)
“run for the hills” (Tate McRae) (S)
“scared of my guitar” (Olivia Rodrigo) (T)
“Selfish” (Justin Timberlake) (S)
“Sweet Dreams” (Koe Wetzel) (S)
“Taste” (Sabrina Carpenter) (S)
Best Tropical Latin Album
Alma, Corazón y Salsa (Live at Gran Teatro Nacional) — Tony Succar, Mimy Succar
Best Música Mexicana Album (Including Tejano)
Boca Chueca, Vol. 1 — Carín León
Best Latin Rock or Alternative Album
¿Quién trae las cornetas? — Rawayana
Best Música Urbana Album
Las Letras Ya No Importan — Residente
Best Contemporary Blues Album
Mileage — Ruthie Foster
Best Traditional Blues Album
Swingin’ Live at The Church in Tulsa — The Taj Mahal Sextet
Best American Roots Performance
“Lighthouse” — Sierra Ferrell
Best Country Song
“The Architect” — Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
Best Country Duo/Group Performance
“II Most Wanted” — Beyoncé Featuring Miley Cyrus
Best Country Solo Performance
“It Takes A Woman” — Chris Stapleton
Best Roots Gospel Album
Church — Cory Henry
Best Contemporary Christian Music Album
Heart Of A Human — DOE
Best Gospel Album
More Than This — CeCe Winans
Best Contemporary Christian Music Performance/Song
“That’s My King” — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks & Jess Russ, songwriters
Best Gospel Performance/Song
“One Hallelujah” — Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Naomi Raine, songwriters
Best Regional Roots Music Album
Kuini — Kalani Pe’a
Best Folk Album
Woodland — Gillian Welch & David Rawlings
Best Bluegrass Album
Live Vol. 1 — Billy Strings
Best Americana Album
Trail Of Flowers — Sierra Ferrell
Best American Roots Song
“American Dreaming” — Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
Best Americana Performance
“American Dreaming” — Sierra Ferrell
Best Remix Recording
“Espresso (Mark Ronson x FNZ Working Late Remix)” — FNZ & Mark Ronson, remixers (Sabrina Carpenter)
Best Dance Pop Recording
“Von dutch” — Charli xcx
Best Pop Solo Performance
“Espresso” – Sabrina Carpenter
Best Dance/Electronic Album
BRAT — Charli xcx
Best Dance/Electronic Recording
“Neverender” — Justice & Tame Impala
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]]>The post 5 Amazing Albums That 2024 Will Be Remembered By appeared first on Hot Pop Today.
]]>After trying to break into the mainstream for a decade, Sabrina Carpenter finally got her moment to shine in 2024. Short n’ Sweet put her on everyone’s radar, and its singles “Espresso”, “Please Please Please”, and “Taste” were among the biggest hits of 2024.
Kendrick Lamar’s “Not Like Us” was one of the defining songs of 2024, and he kept the moment going by dropping a surprise album GNX. It featured 12 brand-new tracks, including chart-topping single “Squabble Up” and collaborations with SZA and Roddy Ricch.
Hit Me Hard and Soft didn’t create as much commotion as its predecessors, but it did a great job capturing Billie Eilish’s evolution as an artist, in addition to giving us hit singles “Lunch” and “Birds of a Feather”.
Charli XCX has given us one of the biggest pop culture phenomenons of 2024 with her album Brat. It resulted in the viral “Brat summer” trend, in addition to producing such hit songs as “Apple”, “Girl, So Confusing” ft. Lorde”, “Von Dutch”, and “360”.
Beyoncé made us fall in love with country with her latest album Cowboy Carter. The perfect illustration of her versatility as an artist, this record has given us the viral hit “Texas Hold ‘Em” and collaborations with Dolly Parton, Miley Cyrus, and Post Malone.
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]]>The post Best New Songs of the Week appeared first on Hot Pop Today.
]]>SZA has been teasing the deluxe version of SOS titled Lana for quite some time, and its rollout has been one wild ride. She kept pushing its release date time and time again, and eventually dropped it on December 20, giving us 15 new tracks that were worth the wait, including “30 For 30” ft. Kendrick Lamar.
This week also marked the official release of Miley Cyrus’ “Beautiful That Way” from Gia Coppola’s film The Last Showgirl. She recently received a Golden Globe nomination for writing this song alongside Andrew Wyatt and Lykke Li.
The rest of our week features several established artists, such as J. Cole, Winona Oak, and The Wombats, but it mostly spotlights independent and alternative music. Stick around to discover new songs by the likes of The Weather Station, d4vd, Nao, Tom Misch, and Anya Nami.
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]]>The post Kendrick Lamar Dominates Billboard 200 & Hot 100 Charts With “GNX” appeared first on Hot Pop Today.
]]>GNX soared to the top with 319,000 first-week equivalent album units during its debut week. SEA units comprise 285,000 (equaling 379.72 million on-demand official streams), album sales comprise 32,000 since it was only widely available through standard digital download, while TEA units comprise 2,000.
GNX is Lamar’s fifth album to soar to the top of the Billboard 200, following in the footsteps of Mr. Morale & the Big Steppers (2022), DAMN. (2017), Untitled Unmastered (2016) and To Pimp a Butterfly (2015).
Songs from this record occupy the majority of the Billboard 100 chart this week, including the top five. He joins an exclusive club of only three artists who manage to place at No. 1-5 in a single week – Taylor Swift, Drake, and The Beatles.
“Squabble Up” is shaping up to be the album’s biggest hit after debuting at No. 1, ahead of “TV Off” ft. Lefty Gunplay, “Luther” ft. SZA, “Wacced Out Murals”, and “Hey Now” ft. Dody6. This is Lamar’s third No. 1 hit in 2024 after “Like That” ft. Future and Metro Boomin and “Not Like Us”, making him the only artist to achieve three No. 1 songs this year.
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]]>The post Best New Songs of the Week appeared first on Hot Pop Today.
]]>2024 has been a pretty epic year for Kendrick Lamar, and just when we thought we’d seen it all – he found a way to impress us again. The rapper’s surprise album GNX hit the shelves this Friday with no prior notice and delivered 12 epic new tracks, with “Luther” emerging as an early favorite.
Most other albums released this Friday were largely overshadowed by Lamar’s latest, but a few still managed to catch our eye. Father John Misty impressed us with “Mental Health” from Mahashmashana, while Michael Kiwanuka deserves a shout-out for “One and Only” from Small Changes.
This week has also been pretty great for Tyla, who’s been on fire this fall. After stirring the commotion with her recent music video for “Push 2 Start”, she surprised us with her new ballad “Tears”, which she performed during the most recent Coke Studio Session.
Check out the rest of our list of the best new songs of the week to discover new music by Wizkid, Omar Apollo, Coi Leray, Three Days Grace, and JoJo.
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]]>The post 2025 Super Bowl Halftime Show: Kendrick Lamar Announced as Headliner appeared first on Hot Pop Today.
]]>Lamar previously performed at the Super Bowl in 2022 alongside the rap legends Dr. Dre, Mary J. Blige, Snoop Dogg, and Eminem, and he promised his headlining show would be another celebration of hip-hop. “Rap music is still the most impactful genre to date. And I’ll be there to remind the world why. They got the right one,” said Lamar in a statement.
Jay-Z, who’s producing the Super Bowl halftime show through Roc Nation, described Lamar as a once-in-a-generation artist and performer, with an unparalleled ability to define and influence culture globally, whose deep love for hip-hop and culture informs his artistic vision.
NFL’s announcement is the cherry on the cake of an amazing year for Lamar, who has given us several hit songs since the start of 2024. He kicked things off with Future and Metro Boomin collaboration “Like That”, which reached No. 1 on the Billboard Hot 100 chart, only to find even bigger success with the Drake diss track “Not Like Us”.
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]]>The post Kendrick Lamar Stirs Commotion With His “Not Like Us” Video appeared first on Hot Pop Today.
]]>Directed by Dave Free and Lamar, the “Not Like Us” visual is filled with countless Easter eggs referencing the feud between the two rappers. From doing push-ups as a reference to Drake’s song of the same name to hitting a piñata reminiscent of Drake’s OVO Owl, Lamar made sure to take a hit at Drake every chance he got.
The music video “Not Like Us” stirred quite a commotion after hitting the shelves on Independence Day, and attracted millions of views on YouTube. Even before this video hit the shelves, “Not Like Us” was already the most successful song to come out of the Lamar-Drake feud, and it set several streaming records before debuting atop the Billboard Hot 100.
Its popularity just kept rising after Lamar first released it in early May. His performance at the Juneteenth concert in Inglewood, California titled “Pop Out: Ken & Friends” brought even more attention to this song after Lamar performed it six times alongside several notable guest stars.
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]]>The post Kendrick Lamar Tops Billboard Hot 100 Chart With Diss Track “Not Like Us” appeared first on Hot Pop Today.
]]>The heated feud between Lamar and Drake erupted in recent weeks, and it can be traced to Lamar’s surprise appearance on Future and Metro Boomin’s single “Like That”. This song spent three weeks at No. 1, but it’s no longer Lamar’s only diss track to top the charts this year.
The back and forth between the two rappers produced several songs, and “Not Like Us” is shaping up to be the biggest hit. It drew 70.9 million official streams, 5 million radio airplay audience impressions, and 15,000 sold during its debut week to hit No. 1 on the Billboard Hot 100 chart. This doesn’t come as a huge surprise since this track made Spotify history by attracting more single-day streams than any rap song in the platform’s history.
“Not Like Us” isn’t the only song in the top ten that we owe to Lamar’s feud with Drake. He also soared from No. 11 to No. 3 with “Euphoria”, while Drake’s “Family Matters” debuted at No. 7.
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